Stalin was the unchallenged dictator of the Soviet Union for so long that most historians have dismissed the officials surrounding him as mere yes-men and political window dressing. On Stalin's Team overturns this view, revealing that behind Stalin was a group of loyal men who formed a remarkably effective team with him from the late 1920s until his death in 1953. Drawing on ex...(展开全部)

作者介绍 汉斯•舒茨（Hans Schoots），荷兰学者。长期致力于尤里斯•伊文思的研究，已发表多篇关于伊文思的文章。 · 译者介绍 孙红云 北京电影学院副教授，北京师范大学博士，中国电影艺术研究中心博士后，美国纽约大学访问学者。长期从事于纪录片研究，曾发表三十余篇学术论文，已出版《真实的游戏：西方新纪录电影》（专著）、《伊文思与纪录电影》（合编）、《纪录片也要讲故事》（翻译）。 黎松知 中国电影出版社副编审，博士。中国电视艺术家协会会员，北京文艺评论家协会会员，长期从事电视艺术理论等方面的研究。

若弗鲁瓦·德罗姆是法国自然摄影师、作家、狍子专家。同时也是大自然原始生活的亲历者和代言人。他离开人类社会，进入狍子的生活世界，独自一人与它们一起生活了七年。

Often dismissed as the rumblings of "the street," popular politics is where political modernity is being formed today, according to Partha Chatterjee. The rise of mass politics all over the world in the twentieth century led to the development of new techniques of governing population groups. On the one hand, the idea of popular sovereignty has gained wide acceptance. On the ot...(展开全部)

帕沙·查特吉(Partha　Chtterjee)生于1947年，印度加尔各答社会科学研究中心(Center　for　Studiesin　Social　Sciences，Calcutta)主任，美国哥伦比亚大学人类学教授。印度“庶民研究”(又称为贱民研究或底层研究)学派的主将，对当代民族主义和殖民主义研究具有创造性的贡献，被誉为印度最重要的批判知识分子，是出生于亚洲同时被第三世界及英美主流学术界广泛认可的重要学者。

Often dismissed as the rumblings of "the street," popular politics is where political modernity is being formed today, according to Partha Chatterjee. The rise of mass politics all over the world in the twentieth century led to the development of new techniques of governing population groups. On the one hand, the idea of popular sovereignty has gained wide acceptance. On the ot...(展开全部)

帕沙·查特吉(Partha　Chtterjee)生于1947年，印度加尔各答社会科学研究中心(Center　for　Studiesin　Social　Sciences，Calcutta)主任，美国哥伦比亚大学人类学教授。印度“庶民研究”(又称为贱民研究或底层研究)学派的主将，对当代民族主义和殖民主义研究具有创造性的贡献，被誉为印度最重要的批判知识分子，是出生于亚洲同时被第三世界及英美主流学术界广泛认可的重要学者。

Ugliness or unsightlinessis much more than a quality or property of an individual’s appearance—it has long functioned as a social category that demarcates access to social, cultural, and political spaces and capital. The editors of and authors in this collection harness intersectional and interdisciplinary approaches in order to examine ugliness as a political category that is ...(展开全部)